[Editor's note: The following contains spoilers for Loki, Season 1, Episode 3, "Lamentis."]
With three episodes left to go, Loki is changing into certainly one of 2021's most fulfilling thrill rides. The newest episode, "Lamentis," featured our titular "mischievous scamp" (Tom Hiddleston) reluctantly teaming up with the Variant now often called Sylvie (Sophia Di Martino) as they attempt to escape a moon on the point of destruction. Their quest for survival culminates in a frantic trek by a metropolis in chaos, captured in a sequence constructed to appear to be a single breathless shot by director Kate Herron.
In a one-on-one interview with Collider, Di Martino revealed how the manufacturing group labored by the sophisticated but thrilling course of of constructing that last shot work and the way lots of the units had been constructed virtually versus created digitally. She additionally explains what she is aware of concerning the origins of Sylvie's identify, and the way she was informed to method taking part in Sylvie, given how the character is supposed to be linked to Loki himself.
Collider: To begin off, I'd love to listen to about what it was prefer to make the ultimate shot of Episode 3, as a result of it's a extremely spectacular lengthy take.
SOPHIA DI MARTINO: We met up earlier than we even began taking pictures that, to have a walkthrough of the set. It was an entire set, constructed outdoors within the car parking zone of the studio, and it regarded very completely different within the day as a result of loads of it’s glow-in-the-dark paint and issues that actually come alive at night time and make it look unimaginable.
Kate, the director, simply kind of defined to us that we had been going to do a oner and it was going to appear to be one huge take, however we had been going to have like secret stitches put in. So we walked the observe and we rehearsed precisely the place the stitches could be, so everybody knew what they had been doing, after which it was only a case of kind of choreographing precisely the place we had been going to run and what we had been going to take a look at and which explosion was going to go off when, and it was simply all all the way down to timing.
It was just a few nights — it was all night time shoots. So the set would actually come alive and look all fairly, after which, we simply rehearsed, rehearsed, rehearsed, after which shot it. We did like two or three takes; we didn't do many in any respect for every sew. After which they magicked all of it collectively and there you’ve it, it appears to be like nice. It was loads of enjoyable to movie, truly.
That's fantastic. What do you assume was the longest part?
DI MARTINO: I can't bear in mind which the longest part was, however most likely the tip, most likely the final one the place we're kind of, we run across the nook, we preserve working, we struggle our means by a crowd, after which we kind of see the ark on the finish — that was like one lengthy one. And we did it so as as nicely. In order that was the final one we did. And I believe that took the longest as a result of there have been loads of stunt individuals concerned. And there was loads of timing issues to ensure it made sense. And it was, it was all timed proper. So yeah, that was most likely the trickiest as nicely.
So when you had been to estimate, what share of the set was sensible versus the visible results of some type?
DI MARTINO: So much was sensible. All the stuff contained in the TVA, that's all set builds. The scene that we've simply been speaking about, that was all a set construct. All the stuff outdoors on [Lamentis] was kind of inexperienced display, the entire exteriors after which there's extra units and extra different issues to come back. So yeah, there's magicked visuals arising.
Have been you informed something concerning the origins of the identify Sylvie?
DI MARTINO: I knew that one of many Enchantresses within the MCU additionally glided by the identify of Sylvie. And I do know that writers and producers have been impressed by the comics for this story and this character. Nevertheless it's a brand new story and it's a brand new backstory for Sylvie.
By way of the character, how a lot had been you informed about attempting to match the concept of Tom Hiddleston's efficiency versus discovering who Sylvie is in her personal proper?
DI MARTINO: I imply, Kate Herron, the director was actually kind of occupied with what I dropped at it and she or he principally simply stated, "Do no matter you need. That is yours, do no matter you need with it, simply mess around with it." So, so it gave me free rein to create this character. Clearly, some issues carry over and I believe loads of that’s within the writing as nicely. Sylvie's acquired the mischief and she or he kind of has that chaotic vitality that Loki has. And he or she's a variant of Loki, so there are similarities. Nevertheless it was crucial to me to make her a novel character.
New episodes of Loki premiere Wednesdays on Disney+.
KEEP READING: ‘Loki’s “Meet Sylvie” Featurette Explores Sophie Di Martino’s Variant Character